A female inspector, Amaia (Marta Etura), battles both her own demons and against a religiously-inspired serial killer whose lust for murder shows no sign up letting up.
Set in the haunting, rain-sodden countryside of the Basque Country, nature itself almost seems a character in its own right as embodied by the mythological “Invisible Guardian” of the forest. But Pan’s Labyrinth fantasy this is not; The Invisible Guardian is gritty, and gut-punchingly real.
The beautiful cinematography brings alive the unique culture and atmosphere of the Basque Country. The acting is first rate. The story was tightly plotted and interesting with shades of the Wallander books. This is the first of three films based on Delores Redondo’s books. Crime fiction fans should give it a go, it might be mildly entertaining for the general viewer.
© 2020 Bryan A. J. Parry
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