Best Star Trek Series? #StarTrek #BestStarTrekSeries

this post was originally published in 2018, hence the lack of in-text reference to Star Trek: Picard

It’s truly the Great Aunty Edith of the Star Trek family

I’m a big Star Trek fan. So I’ve been massively excited by the new Star Trek TV series, Discovery,  and couldn’t wait to see the first episode on Netflix! Will it be a hit or a flop? Only time will tell, though most of my non-Trek friends are surprised to hear there’s a new series. Either way, it raises the question: which Star Trek series is best?

The Original Series (1966-1969)

Okay, so I grew up in the 80s and 90s. Therefore, this show was always hopelessly dated for me. I like the themes, and I am thankful it gave us the Trek franchise, and yes, some of the films featuring the original cast were pretty good. But sorry: the series is naff and painful. It’s truly the Great Aunty Edith of the Star Trek family; there’s no doubting the depth of affection for her, we just don’t want to ever see her again because she is an out-of-date embarrassment.

The Next Generation (1987-1994)

So this is what got me into Trek. I saw my first episode around 1995. To today’s kids, this must look as naff and dated at the original series looked to me when I was a kid (The Original Series was 25-ish years old when I got into The Next Generation, and The Next Generation is now about 25 years old itself). Asides from the early episodes which were very campy and involved soon to be jettisoned stuff like Troy’s bizarre accent and Picard’s peculiar Frenchness, the series was fairly solid with a lot of great episodes.

Deep Space Nine (1993-1999)

For me, this is the best Trek by far. It’s where the franchise decided to bravely seek out new worlds that Star Trek could go. It straddles the old world of rose-tinted optimism and 22 episode seasons of random adventures, and the new post-Battlestar Galactica world of tense, tightly plotted, ten episode seasons, where the world is shades of grey, not a simple good versus evil. From the start of the Dominion War arc, DS9 also foresaw the tight central plot arc and went to dark places not explored before or since in Trek.

Voyager (1995-2001)

Too much, too soon. Next Gen was just winding up, and DS9 had barely begun let alone found its groove. Voyager would have benefitted from a couple of extra years development. Yes, the concept was good: a squabbling crew thrown together on a Federation starship hurled roughly 70 years from home. A female captain was much appreciated. And the show features one of my favourite Trek characters of all time: the Doctor, who was the Emergency Medical Holographic backup program which was forced to run full-time when the actual doctor got killed. A great spin on the non-human coming to terms with and trying to become human (see Data in Next GenOdo in DS9). Sadly, most characters were crap, and it took about four years to even get going.

Enterprise (2001-2005)

Brilliant costume and set design, a real gritty and primitive edge, wonderful developments of the early Federation: earth is barely united, and the Vulcans are very much senior partners. Great characters, great acting. Yes, it also took a while to get going. Not helped by the name, “Enterprise” as opposed to “Star Trek: Enterprise”, even the program-makers realised their error and re-inserted the “Star Trek” branding in the fourth season. But by then the damage was done. Premature cancellation in season four makes this show a somewhat frustrating, what-could-have-been.

Discovery (2017-??)

Hardly fair to judge it on the first season alone. And Star Trek is notorious for slow-starting series which only gear up after a few seasons. None-the-less, Discovery has great design and some lovely characters. There were some shocking twists, yet never for the sake of it. I can’t say it was perfect. I think 7/10 is a fair rating. Never-the-less, this might be the best first season of a Trek ever.

In Summary

Which Star Trek series do you think is the best?

© 2017-2018, 2022 Bryan A. J. Parry

featured image from http://i.kinja-img.com/gawker-media/image/upload/s–DODcLv8l–/18ib0bu2nm9t4jpg.jpg

Stargate SG1 Reboot? #StarGate #StarGateReboot

STARGATE REBOOT!!!

Are you a Star Trek or a Star Wars fan? Me, I always say Trek. And it’s true. But actually, my favourite Star of all is, and I am kind of embarrassed to say it: Gate. Yes, Stargate is my favourite Sci-fi franchise.

What I crave, in these imagination-blanched days of reboots, is a STARGATE REBOOT!!!

The concept: the Stargate franchise as it is, is in the old, pre-Battlestar Galactica reboot days. Twenty plus episodes, many filler eps, no real driving episode-to-episode narrative. So let’s modernise it and make it fit current TV norms.

  • Darker tone.
  • 10 episodes a season.
  • One continuous narrative throughout.
  • Reboot in an alternative universe style, so we don’t even need the same characters (but we can keep them if we want).
  • Keep it to the original Egyptian + Sumerian/Babylonian (c.3000BC) mythologies. Forget all this Greek and Norse rubbish that they used to pad the shows out with.

Here are some season idea outlines. This may not make any sense to you if you’re not a fan of the TV shows or the film.

Season 1: mostly follows the original 1994 StargÅte film. They discover the gate, try to crack the code, travel to Abydos, hide out, get in trouble, they make Ra leave Abydos (not destroyed as in the film?), “Tealc”-type character introduced in this season which happens in Episode 1 of Stargate: SG1 the series. Basically, series one is the discovery of the gate and the struggle against and removal of Ra from Abydos.

Season 2: where SG1 starts but darker. Abydos in chaos as they can’t rule themselves, politically dark, Ra going to return, many people want him, Abydonians realise the gate can take them to other worlds and how to do it, earth starts to lose interest in Abydos, team kills Ra. In short: The Return of Ra.

Season 3: fall out on earth of destroying Ra and disobeying orders, politics, another system lord (but not “Apophis”) takes over Abydos, we hear invasion launched against earth, desperately search worlds for weapons and technology or allies to fight goa’uld, by end of season ships enter our solar system. In short: the Empire Strikes Back

Season 4: Not sure. But I reckon: we destroy Goa’uld ship, suspiciously easily; actually, Goa’uld ship was a ruse to distract as goa’uld symbiotes are landed on earth and a facility is set up on earth secretly so the goa’uld can take over several world leaders and government to act as a fifth column to pave way for actual invasion. Perhaps this becomes clear by last episode. In short: The First Wave.

Season 5: … you probably have given up reading this by now, so I’ll call this fangasm to an end.

© 2020-2022 Bryan A. J. Parry

featured image from http://i.ytimg.com/vi/mEbDXnIoxic/maxresdefault.jpg

Netflix loses “Star Trek: Discovery” @StarTrekOnPPlus @paramountplus #StarTrek #StarTrekDiscovery

I refuse to get another service. And I mean it. Are you listening, Paramount? … You’ve just killed your baby.

Bad news:

I’m not going to let myself blow up over this in text form, or else this post will become a book. But here it is in short:

Netflix have lost the rights to show Star Trek: Discovery just days before the launch of the fourth season on its platform.

Paramount have pulled it, like other companies have pulled and are pulling stuff from Netflix, in order to develop their own streaming platform.

Customer choice is always best, isn’t it? Usually. And in the world of streaming, it has to be a good thing that the magnificent Netflix isn’t the only game in town.

However, it isn’t economically viable for me to sign up to another service. Nor do I wish to bin off my Netflix subscription. Therefore, broken-hearted but with no doubts, this Star Trek fan will not be able to continue watching the magnificent series Star Trek: Discovery.

I refuse to get another service. And I mean it. Are you listening, Paramount? I only have so much money.

Double bad news: without the backing of Netflix, I bet the wonderful Discovery crashes and burns. People with Netflix hardly know of it as it is. It’s over for this fantastic series. So sad. Well done, Paramount, you’ve just killed your baby.

© 2021 Bryan A. J. Parry

featured image from https://aws.boxofficebuz.com/articles/2021/11/17/star-trek-discovery-season-4-premiere-date-announced.jpg

Series Review “Unorthodox” (2020) #NetflixReviews #100WordReview

Powerful

Unorthodox is the story of Esther (Shira Haas), a nineteen year old from a Hasidic Jewish community in New York, who tries to flee her arranged marriage and authoritarian community to build a new life for herself. But will her community, or her husband, let her escape?

Unorthodox is, I believe, the first Netflix series shot in Yiddish, which makes it notable. It’s an engrossing story which paints a powerful picture of a repressive community without ever getting into Judaism-bashing. The limited series was infused with realism.

Powerful.

4/5

© 2021 Bryan A. J. Parry

featured image from https://www.kveller.com/wp-content/uploads/2020/03/unorthodox.jpg

Series Review “Age of Samurai: Battle for Japan” (2021) #200WordReview #AgeofSamurai #NetflixReview

check out my movie review blog here

Game of Thrones… set in Japan

1551. A brutal and bloody civil war has ravaged Japan for a hundred years, ferocious warlords have been locked in a death struggle for supremacy in the fractured land. Age of Samurai: Battle for Japan tells the tale of that era and how, through a painful birth, the modern Japan would be born.

Age of Samurai is a limited docuseries featuring the usual shtick: talking heads, narration, recreations with actors, and maps. So many juicy, juicy maps. However, it’s the way you tell ’em, and Age of Samurai has some wonderful acting, artfully but not distractingly shot talking heads, lush graphics, phenomenal editing, and a narrative structure that sucks us in. Forget anime and manga: this series is a gateway drug to Japanese culture. My only criticism is later important characters sometimes just pop up instead of being mentioned or having their importance artfully foreshadowed.

A kind of real life Game of Thrones… set in Japan, the twists and turns were riveting. I’ve never much been interested in Japanese history, but this has started a fever in my brain; let’s see where that fever leads.

Beautiful. Thrilling. Immersive. Inspiring.

4/5

© 2020-2021 Bryan A. J. Parry

featured image from age-of-samurai-battle-for-japan.jpg (568×416) (next-episode.net)