After an artist relocates with her husband and young child to a dream house for the dream price (familiar set-up?), she slowly begins to realise that both the house and her husband have a dark side.
Part ghost story, part psychological drama of the my-husband-isn’t-who-I-thought-he-was kind, Things Heard and Seen thrillingly portrays the descent into darkness, or rather the slow reveal, of Catherine’s (Amanda Seyfried) husband George (James Norton). I felt sickened and horrified as the truth depth of George’s deception slowly unfurled. All the actors were wonderful.
The story itself is compelling, but there are just too many loose ends to make this film the four star flick it seemed it was going to be. Apparently, the novel which the movie is based on, All Things Cease to Appear by Elizabeth Brundage, does indeed develop these threads. For example, there are characters like Eddie and Cole Vayle (Alex Neustaedter and Jack Gore) or Willis (Natalia Dyer) who seem like they should be developed and central characters, but who just kind of go nowhere. What was the point of any of these characters, frankly? And the worst thing was the ghost story angle; it literally goes nowhere. It really was pointless and, ultimately, a distracting waste of time.
This leads on to the fundamental issue with the film. Whilst screenwriters Shari Springer Berman and Robert Pulchini give it a decent go, they seem to be a little unclear as to what kind of movie they’re trying to make. Is it a domestic drama, or is it a ghost film? Or is it both? Clarity on this point would have sharpened up the movie and helped identify which of these loose ends to develop and which to cut.
None-the-less, a very entertaining film which lets itself down.
On a small, isolated island, deadbeat Harry (Chris Sheffield) still lives with his self-professed only friend — his Dad, Tom (Neville Archambault). But Tom ain’t alright; he’s starting to display bizarre behaviour, such as blackouts, catatonia, and sleepwalking where he terrifyingly finds himself repeatedly on his boat in the middle of the sea, apparently drawn there by a malevolent force. What’s happening to Tom? And does it have anything to do with the dead animals that keep washing up on Block Island or the new windfarms? Harry needs to find out before Tom does something to harm himself — or his family.
The Block Island Sound is a disturbing slowburn that keeps you riveted; what is the mysterious source of Tom and the island’s malaise, and can it be reasoned with? And just how much of a threat does it pose to Tom and his family? The evil presence, if it’s even real, is reminiscent of works like The Tommyknockers and Honeymoon (long review, short review).
The Block Island Sound is a solid movie with great acting. Unlike other similarly mysterious films, BIS has a very clear, almost spoonfed conclusion which kind of turns the whole film on its head. I’m not sure whether it qualifies as a “twist”, rather it just gives a different viewpoint, a new set of glasses through which to view the film. This ending, combined with the frankly horrifying nightly appearances to Harry of Tom, and the magnificent sound design, push this film from being a solid and memorable movie into being something a little extra, a little special.