Star Trek: Picard S1E10 “Et In Arcadia Ego, Part 2” Review

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Star Trek: Picard‘s season one finale, “Et In Arcadia Ego, Part 2”, sees our heroes hatch a daring plot to prevent the destruction of all biological life at the hands of an advanced god-like artificial lifeform whilst also preventing the destruction of the android planet whose denizens are the ones summoning the aforesaid god-like synths. Classic Trek quandry!

“Et In Arcadia Ego, Part 2” had a lot of action, fight scenes, starship battles, enemies temporarily allying, faces from the past, moral dilemmas, betrayal, a defence of the Federation’s sacred principles, and a whole lot more beside. Unlike some other episodes, such as episode one, this installment was packed with action and certainly had me engaged from beginning to end. On paper, it was an amazing season-ender. Unfortunately, the entire season’s main storyline was neatly resolved. A little too neatly. Boxes were ticked, and the whole season’s payoff felt flat and without effort. Everything was too easy in the end. For example, despite being a huge, long-time Trek fan, I just did not feel any emotion at the death of a key character which the show’s producers clearly felt was the “emotional” showpiece of this episode. It lacked weight because we already knew that this person wasn’t going to really be dead after all. Everything was too easy.

Forget logic, let’s just resolve away! Huge and absurd plotholes, such as the magical deus ex machina energy-to-matter device. Made no sense whatsoever and was used merely to set us up for an episode which just concluded everything — because it just had to!

The complexity of this season deserved a more complex and subtle set of resolutions. Furthermore, everything was wrapped up. Not even the hint of a cliff-hanger. I cannot imagine how Season Two will carry on the storyline, as there isn’t much of anything left to resolve or carry on. This gives the effect that season one was merely an extended single episode and that the universe is going to effectively reboot with season two. Instead of having an ongoing show arc, are we going to have merely one season arcs? Have the producers figured out a way to stretch the classic Trek double episode into a season-long fare? Will we end up with ten seasons, each compromised wholly of one over-extended and massively fleshed out single episode?

The weirdest thing about the episode is something whose full significance only hit me later when mentally sifting through this episode: the characters in the show have basically discovered a way for people to become immortal. The greatest discovery ever. Yet the significance of this seems to be not recognised by anyone. Truly baffling stuff.

All in all, “Et In Arcadia Ego, Part 2” was one of the more action-packed episodes, but it was also one of the weakest. Indeed, I think was bested in the weakness states only by Episode One which was an incomplete episode by necessity (as it sets everything up). All’s well that ends well. Sadly, although this season finale wasn’t bad, it was weaker than the show merited.

A frustrating and disappointing, albeit not bad, end to what has been a frustrating, if promising and exciting, first season. Not the final episode the season deserved.

3/5

© 2020 Bryan A. J. Parry

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Star Trek: Picard S1E9 “Et In Arcadia Ego, Part 1” Review @SirPatStew @StarTrekPicard

I hate plot spoilers. I try my best to avoid them. Unfortunately, when reviewing episodes of a series, it’s almost inevitable that you give certain things away. Even the very act of no longer mentioning a character in itself tells you something. This is unavoidable and acceptable plot spoilage. But what is not acceptable is to smack a massive plot spoiler in the credits sequence. Episode 9, “Et In Arcadia Ego, Part 1”, plants a massive spoiler flag in the opening credits by declaring “special guest star: so-and-so”. So now we know that that actor is in it and, of course, we know what character they play in the Star Trek universe, so… surprise ruined! Can you not have the cast list at the end of the episode, please?

Leaving meta-considerations aside, this was a disturbing episode which thoroughly upsets our moral compass. We finally arrive on Sojo’s homeworld, our crew making landfall in a less than conventional manner. We arrive as aliens ourselves on a brightly-coloured world with an almost Star Trek: The Original Series vibe about it. It’s full of life yet slightly off-kilter, a realistic and disturbing portrayal of some kind of reverse Eden: I was left unnerved and frightened by what appears to be coming up. Many new important characters are introduced, and it really feels as though the final episode will totally shatter the world we’ve come to know. The stakes have never felt higher.

Picard says in this ep that “it seems these days that all we do is say goodbye” and this episode indeed features two goodbyes. Sadly, they were robbed of some of their emotional value due to, once again, trying to cram everything into one episode. For the umpteenth time, the Game of Thrones Season 8 model doesn’t work; someone let the writers know.

“Et in Arcadia Ego, Part 1” was stronger and felt more complete than last week’s showing, and we are being propelled towards what promises to be a truly terrific finale. We are made to face the sickening possibility that we, and our heroes, might be on the wrong side of this battle. Consequently, the sadism and fanaticism on the part of the show’s supposed baddies, the Romulans, is beginning to feel less and less consequential next to the threat that the androids are convincingly portrayed as having the potential to pose. However, the rush to the end robbed many moments of a sufficient sense of gravity. None-the-less, this episode did just enough to nudge a four star review.

4/5

© 2020 Bryan A. J. Parry

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Star Trek: Picard S1E8 “Broken Pieces” Review @SirPatStew @StarTrekPicard

Episode 8, “Broken Pieces”, thrillingly sets up the season finale two-parter. We are told a lot about a secret Romulan sect and why they are so hell-bent on destroying the androids. And the previously alluded to plot within the Federation dramatically shows up again. We are also tantalised by the prospect of visiting Soji’s homeworld, a prospect set-up in episode 7.

Our fellowship is crumbling before our eyes because our mole aboard La Sirena has been found out. But the most compelling aspect of this episode is that we are reminded that the baddies of the show, those fighting against our heroes, themselves do have very legitimate reasons for what they believe in — they don’t want to see the destruction of all life by synthetics, which is portrayed as a frighteningly realistic possibility. The viewer is suddenly, horribly aware that the heroes and synths we have been rooting for might well be on the wrong side. If only our baddies didn’t seem quite so sadistic, we would want to side with them. To facilitate this end, we see a weak, vulnerable side to Hot Sexy Space Elf, A.K.A., Narissa (Peyton List).

To save us from all this crushing bleakness, comedy relief was much appreciated. This week’s turn at playing the joker was Rios (Santiago Cabrera): all the different holograms who “man” ship look like Rios but all have different personalities, and accents. Honestly, goofy but funny.

Demons of the past rear their heads. Rios struggles with the traumatic moment that led to his leaving Starfleet, and Seven of Nine resists the seductive power of the one true ring, that is, the chance to be a Borg queen. Sadly, whilst Rios’ story convinced, enhanced by a powerful pep talk from Picard, Seven’s was played out with insufficient real peril and thus was robbed of any weight it should have had. Picard has returned to form: rushing the conclusion to plot threads and leaving us with no real emotional pay-off.

After the previous three excellent episodes, this felt like a return to inconsequentialism and exposition. However, it zips along so fast, and we’re so involved in the characters and central storyline, that we almost don’t care. This was tightly written, which is meant both as a compliment and as a criticism; “Broken Pieces” felt like a means to an end rather than also being an end in itself, like the second film in a trilogy. And thus, despite its strengths, it was notably weaker than our more recent outings.

Much intrigue and some fascinating plot developments, but in the rush to the season finale, “Broken Pieces” incompletely tells a story of its own, this episode serving more to structurally set up the series ender. Only juicy action is left to paper over the cracks in the incomplete and fragmented plotting.

3/5

© 2020 Bryan A. J. Parry

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Star Trek: Picard S1E7 “Nepenthe” Review @SirPatStew @StarTrekPicard

No sooner than our two storylines had converged at the end of the last episode, the fellowship has now fragmented into what looks like three separate story threads. This episode, “Nepenthe”, sees Picard and Soji escape to a secluded Eden-like planet with rich, almost magically regenerative soil. Here they have a genuinely affecting reunion with two of Picard’s old colleagues from the Enterprise [names withheld to prevent spoilers!]. Their mission: to recover from a trauma of their own in this paradise. The performances from our two guest starts here was powerful and believable; surely the genuine affection and love between these two and Patrick Stewart, going back years, bled through into their performance. The tranquility allows all of our characters to reflect deeply on their lives, and gives Soji space to begin to grapple with her true nature, the nature of reality itself, and who she can trust (if anyone).

Meanwhile, Picard’s protégé/personal body guard, Elnor (or “Legolas in Space”, as I like to think of him), is struggling to stay alive and fight off the Romulans on the Borg Cube. We see a real deepening of his character to counteract the goofiness and moodiness we have seen so far. He’s becoming a great addition to the series.

Our mole onboard the fellowship’s spacecraft La Sirena is beginning to struggle with what they have done and, indeed, were commanded to do almost against their will. Surely not long become their demons consume them.

This was a very exciting episode with no serious flaws, lots happened, and there was no sign of the old problems: development and conclusion of entire backstories within one scene and heavy exposition. Additionally, it turns out that one of the characters creates invented languages, which is something of an area of interest for me (believe it or not: see Tolkien’s A Secret Vice). “Nepenthe” is characterised by deep reflections by our characters as they struggle to come to terms with the stories of their lives. A heart-wrenching, gut-churning episode; possibly the strongest so far, but it has stiff competition from the previous two instalments.

4/5

© 2020 Bryan A. J. Parry

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Star Trek: Picard S1E6 “The Impossible Box” Review @SirPatStew @StarTrekPicard

“The Impossible Box” (S1E6) zipped along at a terrific pace. Picard and Soji are face-slammed directly into moments from their past that they had deeply repressed. Soji’s world begins to unravel as she is confronted with the disturbing reality of her situation, although we end the episode with her still not having had time to fully understand or internalise the situation. There’s some great Borg-based body horror, disturbing scenes where Picard struggles with the memories of his time being assimilated by the Borg. The flashbacks seem to smash through his, and the viewer’s, skull. This episode reminded us why the sci-fi/horror baddies that are the Borg are one of the greatest in all pop culture. And we finally get to see the show’s two storylines merge together.

All of this horrifying action hurtles along while in the background the equally horrifying situation from the last episode, where one of our crew isn’t quite what they appear, gut-churningly, slowly, steadily, threatens to explode at any minute.

All of this darkness is counterbalanced with a bit of sassy Raffi comedy. Thankfully, the comedy has been dialled back to warp factor one and appropriately served to break up what was an action-packed and terrifyingly dark story.

The genius of this episode was not discovering what happens, as we have known what the characters haven’t since episode one, but watching how it unfolds. A truly thrilling episode, and definitely the best so far from a dramatic point of view, although from a general entertainment standpoint I slightly preferred last week’s episode. My only criticism is that Star Trek: Picard really needs to knock its tendencies for exposition and introducing and/or resolving storylines in one scene/episode on the head.

4/5

© 2020 Bryan A. J. Parry

 

 

Star Trek: Picard S1E5 “Stardust City Rag” Review @SirPatStew @StarTrekPicard

This week, on Star Trek: Picard.

In “Stardust City Rag” (S1E5), our fellowship sets up a meeting on a dodgy planet to take part in an exchange: one life for another. This place, Freecloud, could have been lifted straight from Star Wars‘ cantina scene, where all sorts of criminals and smugglers and crimelords and aliens mingle in an anarchic power-vacuum region of the galaxy. Fascinating, but I’m not sure it totally sits within the Star Trek universe.

We find out why Raffi, who I’m now very fond of, wanted to leave Picard’s crew and go her own way when the team reached Freecloud. Just like Picard in the previous episode, she has a very weighty personal matter to resolve, a matter that has been hanging over her for years. Unfortunately, whilst Michelle Hurd’s (Raffi) acting more-or-less convinced, that of her counterpart in this scene distinctly did not (Gabe, Mason Gooding). Very disappointing. A big moment with a character I’ve come to care about, and yet I did not care much. Once again, Picard rushes and resolves an issue within the space of a scene or two. The writers do realise that this model, let’s call it the “Game of Thrones Season 8 Model”, is not a fan favourite, right?

This episode was full of zany comedy, including Rios dressed as a kind of intergalactic pimp, Jean Luc Picard putting on the most unbelievable French accent since Ewan McGregor in Beauty and the Beast, and Picard’s manservant-cum-bodyguard-cum-protégé establishing himself as the series’ light relief rather than broody angst merchant (as he appeared in the last episode) — and he seems to be acquiring an increasingly strong Antipodean accent as time goes on (think: the reverse of Deanna Troy in Star Trek: TNG). The writers and actors really pushed the boundaries of tone and good sense here, and they just stayed onside. The result? Back of the net! I loved it. I just hope they don’t camp it up too much; Picard has established itself as tonally distinct from some of the other, campier entries in the Star Trek canon, and it would be a shame to backslide from that or, worse, become tonally confused.

There’s a huge moment towards the end where one of our fellowship unexpectedly acts horrifically. Big drama to follow from this in future episodes, undoubtedly. I’m also starting to notice a pattern more generally: those who have served Star Fleet either get burnt out, go mad, or become numb in order to maintain their commission. The campy, intergalactic comedy romp belied this much darker core.

A lot happened. Great moments. Wonderful developments of some characters through their actions rather than through talking, as has sometimes characterised this show so far. The lightest and, paradoxically, also the darkest episode, this was an excellent outing and without a doubt the most entertaining so far.

4/5

© 2020 Bryan A. J. Parry

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BTW I Told You So (Game of Thrones) #GoT #Doggerelizer

 

By the way, I told you so. About the ending of Game of Thrones, I mean. I had been telling my mates that we would not get the happy ending to Game of Thrones that some wanted (I say “some”, because I wanted it to end badly for our heroes, as befitting both the aesthetic of the show and my own misanthropic tendencies). I’ve just found some proof that I wasn’t merely lying about having foretold key aspects of the ending like everyone else who claimed they “knew all along” how it would end. See my post from September 2017 that I’ve just stumbled upon having forgotten I’d written it. Particularly note my following predictions.

Daenerys dying… Dany going schitz on power / refusing to bend the knee to Jon.

I just think that [a happy ending] would not suit the world that’s been built up. Even if things end “well” (= white walkers and Cersei being killed, some good guys staying alive), I can’t see everyone remaining unscathed. One or more of Dany, Jon, Arya, Sansa have to die, and die horribly.

So I was right about one those characters dying, about Daenerys definitely dying, about Daenerys definitely refusing to bend the knee to Jon, and about Daenerys definitely going mad with power. It was obviously the ways things had been going as Dany had been getting increasingly haughty. This is why I just cannot understand the people who passionately argue that the writers just ruined her character in order to be all twisty; guys, Dany’s arc had been becoming clear for seasons, her ultimate descent being fairly well foreshadowed. What really happened is not bad writing, but that people did want to see the increasingly obvious because this went against their own desires for a Spielbergian ending where Dany and Jonnie have little Targeristarkling sprogs and live Happily Ever After.

I’m not saying the final season or its writing was perfect. I certainly think some of my ideas for the final season, as outlined in that post, were particularly good, and would have been great additions to Season 8. My favourite ideas of my own include:

  • The Dothraki go nuts and start raping and pillaging which turns the layfolk against the Dany-Jon biumvirate, perhaps necessitating Jon or Sansa to backstab;
  • Ned Stark, or anyone of our other favourite dead characters, coming back in white walker form for an emotional, zombie-esque, ‘I don’t know if I can kill you! I still see the real you in that skelly shell!’ moment of emotional, heart-tugging drama;
  • The white walkers taking over and destroying Westeros / the World;
  • The good guys win a Pyrrhic victory; Westeros is so ruined by everything that there isn’t much of a world to rule over now. And the weakened Pyrrhic victors, are left open to attack from foreign marauders … just then, some crazy mothers from Essos appear in their ships on the horizon, dun dun dun! End of the world as we know it. End of Series.

But that is a whole other post discussing what I felt was good and bad about Season Eight, and what opportunities I feel the creators expertly delivered on and failed to deliver on. But this post is about something different: about how I WAS RIGHT about Daenerys.

© 2019 Bryan A. J. Parry

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HBO Series I Wanna See Get Made

We’re living in a golden age of TV series, especially for fantasy and science fiction adapted from works of literature. I’m thinking especially Game of Thrones and The Man in the High Castle. And I’m now keenly awaiting the upcoming BBC series based on Phillip Pullman’s His Dark Materials trilogy. This gives me hope that maybe some other of my favourite books might get adapted — and adapted well! I previously foretold there would be a series of Lord of the Rings, and it’s actually now happening.

Earthsea. Classic Ursula Le Guinn fantasy series set on a world of islands. This phenomenal world of creative genius needs a wider audience.

Discworld. This could actually be multiple series, with each based on one set of characters. Each book more-or-less can be one season, all books could form the whole series. Focus on maybe wizards, city watch, death, nowt else. Or a series based on one of the set of characters, e.g., the City Watch, but with each book more-or-less being a season. In any case, there are loads of great characters and stories to come out of the fertile mind of the late, great Sir Terry Pratchett.

Stargate. I want a total reboot, remake, reimagining of the Stargate and SG1 franchise. Get back to the basics of the Von Daniken Chariots of the Gods theory that the very most ancient gods were actually extraterrestrials, keep it with the Egyptian and Babylonian gods. Stargate SG1 had a very Star Trek: The Next Generation vibe of intergalactical banterous romp; I would want a reboot to have a darker, “edgy” DS9 type vibe.

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© 2018-2019 Bryan A. J. Parry