Netflix Film Review “Obsessed” (2009) #NetflixReview

Things couldn’t be better for Derek (Idris Elba). He’s got a beautiful, adoring wife Sharon (Beyoncé), a healthy, happy toddler, and has just received a massive promotion which has sent him stratospheric. However, his world comes under threat when femme fatale temp Lisa (Ali Larter) goes a-hunting in her new office and decides to put Derek between the crosshairs.

Obsessed is a very standard psycho-stalker thriller. It draws obvious comparisons with Fatal Attraction (1987). But where Fatal Attraction would still have been daring and bold in 2009, Obsessed would have been staid and trite for 1987. Obsessed was not only paint-by-number, it was rather restrained: Derek never allows temptation to spiral his life out of control. But that itself could have been an interesting angle. Elba, Beyoncé, and Larter all give convincing, characterful performances. Sadly for Larter, the script makes no attempt whatsoever to explain Lisa’s obsession nor her crazy behaviour. Not a hint. Nothing. She’s clearly attracted to him, he is friendly but doesn’t lead her on, she randomly tries to bang him in the toilet. And she doesn’t let up. The lack of any kind of motivation is bizarre. Did Derek lead her on? No. Was she bullied by Sharon at school and now wants to ruin her life? No. Does she have a crushing Faberge Egg habit to support that only a senior manager’s salary could enable? No.

Larter and co make the best of finding a throughline. And I must say that the final show-down was genuinely exciting and enjoyable. Sadly, the script is the big problem with this film, and that is a big problem with a film, indeed.

2/5

© 2020 Bryan A. J. Parry

featured image from https://fanart.tv/fanart/movies/17335/movieposter/obsessed-57a5235987537.jpg

Used up Batteries and Bits of Broken Toy #ManDrawer #MentalManDrawer

This blog has quite a few drafts saved up from yonks ago, articles which are out-of-date as they were written about contemporary events which are long past. However, I don’t have the heart to delete these drafts. Yet I can’t bear looking at them anymore; it’s driving me to distraction. It’s like going into your garage or your man drawer and just seeing all the shite there, useless junk you know you’ll never use but which you keep “just in case”.

Well, I’ve had it.

I’m going to start posting these things, with the tag “Used up Batteries and Bits of Broken Toy”. So apologies if you see a passionate article arguing a now defunct point, such as why we shouldn’t join the ERM, but there we are.

featured image from http://2.bp.blogspot.com/_8Dx5xJBheSE/S9sLrqIak4I/AAAAAAAAAGQ/8Q9Kj47iF04/s1600/man+drawer.jpg

© 2020 Bryan A. J. Parry

Netflix Film Review “Awake” (2019) #NetflixReviews #150WordReview #AwakeMovie #Awake2019

check out my Movie Reviews Blog

A man wakes up in a hospital bed, bandaged from head to toe, and with no memory or who he is. But when our nameless protagonist (Jonathan Rhys Meyers) learns that he is a wanted serial killer, something just doesn’t sit right, and he won’t stop until he finds out who he really is and what happened to him.

Awake is a tense, fast-paced crime mystery with twists. Rookie writer Elana Zeltser makes a solid if not ground-breaking screenplay debut. The script, whilst not as clever as Memento (1999) or as taut as Taken (2008), is well-written with believable plotting and dialogue. Our leads, Meyers and Francesca Eastwood, also really sell the film, although the acting from Malik Yoba (detective Frank Ward) had a tendency to veer off into TV movie territory.

Please ignore the 5.0 IMDb and 14% Rotten Tomatoes scores. This film is much better than that. Riveting, fast-paced, not overly obvious albeit not earth-shakingly original, this is a lovely little movie to spend 92 minutes with.

3/5

© 2020 Bryan A. J. Parry

featured image from https://cloud.filmfed.com/movies/posters/l_d62cd997-23ab-406c-83f5-97abf951d63b.jpg

Random Images 48: GM’s Gone Too Far

ElephantDog ElephantApe02 ElephantApe01.

Netflix Film Review “The Legacy of the Bones” a.k.a. “Legado en los huesos” (2019) #NetflixReviews

See the review for the first film in the trilogy here

The Legacy of the Bones is the second in the Baztan trilogy based on the successful book series by Delores Redondo. This instalment sees our lead, Inspector Amaia Salazar (Marta Etura), return to her childhood home and try to solve a case that, once again, is inextricably linked to her own past. The evil seems intent on coming for her and her family.

The second film of a trilogy often sags. The reason is that it doesn’t really have a beginning or an end, it merely serves as a bridge for the first and last parts. However, the Baztan trilogy is more a serial than a series, each episode’s story connected to previous ones but a fresh story. Sorry, did I say “episode”? Whereas the first film, The Invisible Guardian, felt filmic in a good way, this seemed like an overlong episode of any good TV police show. Is that a bad thing? No. But it wasn’t a movie. The plot wasn’t substantial enough. I felt like I was watching a TV series. Which brings me back to the point: this trilogy is a serial of three separate stories, so the sag is not really understandable.

Good performances all round, great photography, good costume design, and the plot was well-rendered, although the lurch deeper into hocus pocus was silly. It’s hard to see how this is a movie. A big step down from the first film.

2/5

featured image from https://deveserisso.com.br/blog/wp-content/uploads/2020/04/legado-nos-ossos.jpg

© 2020 Bryan A. J. Parry

Netflix Film Review “Devil” (2010) #NetflixReviews @MNightShyamalan

check out my new film reviews website www.moviereviewsblog.com

Devil is a murder-mystery concept piece set mainly in the confines of a lift. Five strangers enter said lift together only to get stuck between floors. Bad enough, you might think. But when one of the five is murdered during a momentary blackout, all Hell breaks loose. Meanwhile outside, our intrepid damaged-goods Policeman tries to solve the unfolding lift-based mystery whilst keeping his shit together.

Devil could have made a good episode of The Twilight Zone (albeit, without the scenes outside the lift). As it was, Devil made for a tense and entertaining horror-mystery. Coming from the mind of M. Knight Shyamalan, there is of course a twist ending, which is reasonably effective, although not totally unforeseeable. And being an M. Knight movie, we can play some Shyamalan Bingo™:

  • there was some flabby and ridiculous dialogue (“When he’s [the Devil] near, everything goes wrong. Toast falls jelly-side down, children hit tables, and people get hurt.”),
  • a somewhat awkwardly shoehorned religious aspect (handled clumsily with the gibbering Mexican Catholic expositor),
  • cheesiness (the awkward mattress salesman and his banter),
  • and a damaged protagonist suffering from a traumatic loss.

Despite this, the story was lean and tightly plotted. The characters were fairly believable. The performances were all decent. The movie had a kind of Eli Roth vibe to it, which is good or bad depending on your viewpoint, and a TV serial feel. Perhaps the film benefited from M. Knight sharing the writing duties.

Very enjoyable, albeit not Oscar-worthy. A middling Shyamalan movie: no Sixth Sense, but thankfully no The Happening, either.

3/5

© 2020 Bryan A. J. Parry

featured image from https://horrorcultfilms.co.uk/wp-content/uploads/2010/12/devil-1.jpg

Random Images 48: LOTR IV #RANDOMIMAGES #LOTR

.

Netflix Film Review “A Stranger Outside” a.k.a. “Babysitter’s Nightmare” (2018) #NetflixReviews @britt_underwood @JakeHelgren @MarkGrossman @JetJurgensmeyer @ShanicaKnowles

A baby-sitter finds herself trapped in a house playing cat and mouse with a masked serial killer. Sound familiar? A Stranger Outside is standard ’90s Scream-style shlock, albeit without the self-awareness. But it wins points for some interesting plot ideas. For example, the baby-sitter is really a nurse who has taken the gig as a way of getting some easy cash after suffering a career and confidence crisis due to the death of a vulnerable child in her care.

The first half of the movie was trite, and the acting was a little over-the-top, although our lead Brittany Underwood was giving a decent turn. The less said of the performances by her co-stars Mark Grossman (boyfriend Jeremy),  Michael Chandler (incompetent Dr Mixer), Jet Jurgensmeyer (baby-sittee Toby), or best friend Kaci (Shanica “No Relation” Knowles), the better. Things really fall apart in comedy style when the killer starts a-killing. The Scary Movie-like knife thrusts, slicing through pieces of paper, cowering beside counters, and hysterical screaming were beyond absurd; imagine a Scary Movie where the wonderful Anna Faris and Regina Hall actually thought they were giving solid dramatic turns.

This film is also oddly disjointed. The first half, a 90s throwback cliché, albeit mildly entertaining. The second half, a spoof movie not realising it’s a spoof movie. Indescribably awful, but in its awfulness, thoroughly enjoyable nonsense. A jumble of decent scenes and terrible scenes, passable acting and insanely awful acting, make for a diverting 90 minutes.

So bad it’s almost good. But not quite.

2/5

© 2020 Bryan A. J. Parry

featured image from https://occ-0-300-299.1.nflxso.net/dnm/api/v6/0DW6CdE4gYtYx8iy3aj8gs9WtXE/AAAABSEWykCWvsN3qIoOuQSUpoUIgFV-p1C40cukDIinptleaSzG4WfMIxFNvLfP98jWEITc-ViMwCSLAzDLVTmWT6X4t47S.jpg?r=c9d

 

Netflix Film Review “The Invisible Guardian” a.k.a. “El Guardián Invisible” (2017) #NetflixReviews #150WordReview

A female inspector, Amaia (Marta Etura), battles both her own demons and against a religiously-inspired serial killer whose lust for murder shows no sign up letting up.

Set in the haunting, rain-sodden countryside of the Basque Country, nature itself almost seems a character in its own right as embodied by the mythological “Invisible Guardian” of the forest. But Pan’s Labyrinth fantasy this is not; The Invisible Guardian is gritty, and gut-punchingly real.

The beautiful cinematography brings alive the unique culture and atmosphere of the Basque Country. The acting is first rate. The story was tightly plotted and interesting with shades of the Wallander books. This is the first of three films based on Delores Redondo’s books. Crime fiction fans should give it a go, it might be mildly entertaining for the general viewer.

3/5

© 2020 Bryan A. J. Parry

featured image from https://pics.filmaffinity.com/el_guardian_invisible-726992780-large.jpg

Random Images 47: LOTR III #RandomImages #LotR

.